Folio 01 Verified journalism and integrity network
Every claim, sourced in the margin.
Verified true stories where the evidence sits beside the sentence it supports.
- Explainers
- 210
- Sections
- 8
- Credited photographs
- 12
Folio 02 The method, sourced
Read it with the sources showing
Every numbered phrase below rests on an explainer in our own library. Press a number to open its card, or open them all.
0 of 12 sources checked
A true story starts with a question sharp enough to tell you where to look, not with a heap of interesting material. The first sources worth finding are the ones made at or near the time, by someone with direct knowledge, and the way into any collection is the finding aid, the map its archivists drew.
Before a document can carry a claim, we ask where it has been and who has held it. One source is one point of view, so a claim stands only when an independent second source supports it. And sometimes what the record leaves out says something too.
In our notes, what a source states and what we infer from it are kept apart, and every fact is logged to the place it came from. A person remembering their own life is a primary source, yet their account is where checking starts, not where it ends, and a quote says what was actually said.
Where the record runs out, a guess is labelled as a guess. When we get something wrong, the correction is visible and easy to find. That is the whole method: the sentence, and beside it, what it stands on.
Folio 03 Where claims come from
Four kinds of source
Each kind has its own strengths and its own blind spots. The library takes them one at a time.
-

26 explainers
Documents
Letters, ledgers, forms, maps and seals: what a document proves, and what it only assumes.
Documents explained -

27 explainers
Archives
Finding aids, provenance and reading rooms: how collections are kept, and how to read them.
Working with archives -

26 explainers
Interviews
Questions, consent and the accurate quote: how memory becomes a source you can check.
Interviewing -

27 explainers
Evidence
Corroboration, proximity and confidence: how claims are weighed before they are written.
Evidence craft
Plate 2 Turning the pages. Licensed stock footage, shown for illustration.
Folio 04 The evidence trail
Six steps from a question to a sentence
Find
Follow the story across every collection that holds a piece of it.
Following One Story Across Several RepositoriesTrace
Keep the chain of custody, on paper as much as on screen.
Chain of Custody for Paper, Not Just Digital FilesTest
Check each claim against threads that do not share an origin.
Testing a Claim Against Independent ThreadsWeigh
Say plainly what is proven and what is only plausible.
The Difference Between Plausible and Proven
Folio 05 The card catalogue
Pull a drawer
Eight sections, 210 explainers. Each drawer opens on the first cards filed in it.
- 1Why a Visible Correction Builds More Trust Than Silence169 words
- 2The Difference Between a Clarification and a Correction171 words
- 3Building a Corrections Policy Before You Need One160 words
- 4The Discipline of Owning a Small Error Quickly160 words
- 5How Readers Respond to Transparent Correction163 words
- 1Reading a Certificate: What It Proves and What It Assumes157 words
- 2Understanding the Structure of a Formal Report150 words
- 3Reading Correspondence for Tone as Well as Content154 words
- 4What a Ledger Entry Can and Cannot Tell You150 words
- 5Understanding Registers and Their Limitations152 words
- 1Primary and Secondary Sources: A Working Definition162 words
- 2Corroboration: Why One Source Is Never Enough165 words
- 3Weighing Documentary Evidence Against Testimony158 words
- 4Reading a Source Against Its Own Bias154 words
- 5Building a Paper Trail From Fragments166 words
- 1Verifying an Interview Subject's Own Claims153 words
- 2Reading Body Language Without Over-Reading It152 words
- 3The Ethics of Recording Consent157 words
- 4Structuring an Interview Around Chronology Versus Theme152 words
- 5Knowing When to Stop Pushing a Question152 words
- 1The Line Between Compression and Distortion168 words
- 2Composite Characters: Why the Craft Avoids Them166 words
- 3Consent and the Vulnerable Subject159 words
- 4The Ethics of Reconstructing Dialogue159 words
- 5When Silence Protects and When It Conceals162 words
- 1Building a Research Question Before Chasing Sources159 words
- 2The Value of the Literature Review, Even for a Short Piece163 words
- 3Structuring a Research File So Nothing Gets Lost158 words
- 4Knowing When You Have Enough to Write161 words
- 5The Discipline of the Source Log164 words
- 1The Chronological Spine and When to Break It164 words
- 2Structuring Around a Central Question Rather Than an Event159 words
- 3The Use of Scene in Evidence-Based Writing157 words
- 4Pacing Revelation Without Manipulating the Reader161 words
- 5The Nut Graf and Why It Still Matters166 words
- 1Read the Finding Aid Before You Request a Box192 words
- 2Why Provenance Is the Spine of Every Archive161 words
- 3Original Order and Why Archivists Protect It152 words
- 4What a Catalogue Record Leaves Unsaid171 words
- 5Reading Room Rules Exist to Protect Evidence167 words
Choose a drawer to see its cards.
Folio 06 Works cited
One from every section
A short reading list, set out the way a careful writer would cite it.
The full libraryWhy a Visible Correction Builds More Trust Than Silence. True Tale, Corrections culture. 169 words.
Reading a Certificate: What It Proves and What It Assumes. True Tale, Documents explained. 157 words.
Primary and Secondary Sources: A Working Definition. True Tale, Evidence craft. 162 words.
Verifying an Interview Subject's Own Claims. True Tale, Interviewing. 153 words.
The Line Between Compression and Distortion. True Tale, Narrative ethics. 168 words.
Building a Research Question Before Chasing Sources. True Tale, Research methods. 159 words.
The Chronological Spine and When to Break It. True Tale, Story structure. 164 words.
Read the Finding Aid Before You Request a Box. True Tale, Working with archives. 192 words.